Criticisms

The New Buddha-like/Christ-like Passion of Eneida de Jesús Pérez de Lücke.
(2006, San Cristóbal, Dominican Republic).
By: Orlando Alcántara Fernández (Orly).
Website: http://orly1.com
E-mail: This e-mail address is being protected from spambots. You need JavaScript enabled to view it

The tiles are the new Buddha-like/Christ-like passion of the painter and Woman FIDE Chess Master Eneida de Jesús Pérez de Lücke. It is an overwhelming passion in the intense blue color. Overflow in the tile with its enlightened sign-like violence in the mystical-transcendental rapture. It dazzles us with its expressive heartbreaking force in the unique blue color of Eneida. Because Eneida gives a new meaning to the blue color. In Eneida the blue color is an unusual form-meaning that threatens to awaken us from the inertia and to effect in us any kind of satori in the mahanirvana that only Eneida can envision. Because that sensory paradisiacal world only belongs to her with its dual blue: blue color and “azul”ejos (Translator’s note: word play: “azulejos” is “tile” for Spanish. “Azul” is “blue” for Spanish, and “lejos” is “far” for Spanish). But it is not a distant blue; it is a blue color that brings us closer to the mystical rapturing contemplation; to the uncaged ecstasy by a Chess player who knows about strategy, tactics and logistics regarding the staging of her pictorial creations. Eneida is a real find. Her spirituality is a monument of humbleness in the eidetic greatness of her nomothetic-idiographic world in the unaware tiles that gives us strong passions with their matter-like stare. Eneida is what she had to be: spiritual, Chess player, and painter. Eneida takes us into a new world with the novelty of her passion. Thimo Pimentel has been an ideal guide for this new artistic journey of Eneida. The same thing in another dimension can be said about the fervor shared with Fermín Ceballos, Sayuri Guzmán, Petra Ostré, Elfie Hellmich, and Herrat Boström. Germany and the Dominican Republic in the artistic-cultural encounter synthetized in Eneida. Buddha-like. Christ-like. “Lovingful” in her enthusiastic husband, International Chess Master Norbert Lücke. “Grace-like” in the intimate love of her mother Susana Gutiérrez de Pérez. Unavoidably ideatic. Undeniably grandiloquent in that blue color transformed into tile. With the legacy of Van Gogh and the Picassian spirit of an artist who is the Judith Polgar of the Buddha-like/Christ-like/artistic spirituality. Ample. Inevitably eclectic. Extremely human, too human. That is Eneida. The same one of the nirvanic smile. The same one of the peaceful gaze and the intense blue color of each piece, of each dream. (I John 4:7-21). Orly.